Show: Masquerade
Venue: Epstein Theatre, Liverpool
Format: Play
Genre: Drama
Writers: Laura Lees with additional material by Tom Lloyd & James Baker
Directors: James Baker & Bill Elms Productions
Date: Wednesday November 23 2022
Age Rating: 14+
Held in the Epstein Theatre, the performance of Masquerade felt intimate and powerful with a smattering of comedy.
Introduction
On arrival at the beautiful Epstein Theatre on a cold, wet evening we were greeted by fabulous drag queens and a colourful crowd. The theatre was packed and there was a great atmosphere.
The play is set in The Masquerade bar (the original one which used to be in Clayton Square), Masquerade tells the story of Tony and Mike. These two best friends embark on a struggle to find acceptance in a world hostile to the LGBTQ+ community in the 1980s amid the emergence of an HIV/AIDS epidemic.
Mike (Jamie Peacock) isn’t quite ready to step out of the closet, particularly to his overbearing parents. The play tells of his journey to find the strength and pride to reveal his true self. Along the way, there are some very touching – and funny scenes between Mike and his father Billy (played by Neil MacDonald).
Original
I first went to see the original production of Masquerade in Liverpool’s Royal Court Theatre back in 2019 (Jamie Peacock also played the role of Mike then) and really enjoyed it. However, I do feel that overall, this is a much more polished version of the play.
Tony (played by Joe Owen) is out and proud – his own mum Pauline (Catherine Rice) knew he was gay before he did! So, he introduces Mike to the Masquerade club in Liverpool. It’s an epiphany where gay people felt safe to come and party and enjoy the iconic sounds of the 80s.
Frank (also played by the versatile Neil MacDonald) runs the ‘Mazzie’, ably assisted by Norma (Catherine Rice again) – his long-term ‘partner’ and sparring partner. Frank and Norma provide comedic relief throughout, but Frank also tells of the abuse and prejudice he has experienced throughout his life which I found very poignant.
Analysis
Mike’s blossoming relationship with Stuart (played by Michael Bailey), whose alter ego Judy steals the show. A queen whose crown slips slightly. Judy helps Mike to build the confidence he needs to become his authentic self.
There were accomplished, confident performances from the whole cast, an atmospheric set, and thoughtful writing by Laura Lees. The music was pure 80s gold and I think the dancing and performances of the ensemble really brought the play to life.
We were reminded once again of the AIDS tombstone advertising of the 80s. The accompanying blame culture was initially directed at gay men. Namely, the Thatcherite times. The shame and stigma surrounding the illness were also remembered.
Summary
The play captures how, during a tumultuous period of history, clubs and pubs like the Masquerade became safe havens. People could be themselves, regardless of the fear and prejudice they were receiving in everyday life. This play (and plays like it) serves as a reminder to younger members of the LGBTQ+ community that the fight for gay rights continues.
To finish with some positive facts, however: under the Equality Act 2010, it is illegal to discriminate against someone based on their HIV status in the UK. Also, people newly diagnosed with HIV today can expect to have a normal life expectancy if they are diagnosed on time and on effective treatment.
Masquerade’s touching story of friendship and love is simply brilliant. An uplifting play that deserved its standing ovation. Masquerade runs at The Epstein Theatre until Saturday 26 November 2022.
Notes
Target Audience: Ages 14+
Content: Strong Language & Sexual Themes
