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          Image Source: Empire Theatre

          Theatre Review: White Christmas, Empire Theatre, Liverpool

          by TurtleTheatre
          November 18, 2016
          in Empire Theatre, Empire Theatre Reviews, Musicals, Reviews, Theatre, Theatre Reviews
          Reading Time: 9 mins read
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          Show: White Christmas
          Format: Musical
          Genre: Musical
          Date: November 17 2016
          Location: Liverpool Empire Theatre

          “I’m dreaming of a White Christmas …” Are these the most memorable lyrics to a Christmas song ever? It’s quite possible, as Bing Crosby’s original rendition is an all-time classic that has spanned generations and remains a favourite today amongst those who love the festive season. However, it’s easy to forget that the song actually originated from the movie Holiday Inn, with a revised version by Bing coming to life in the 1954 movie of the same name, directed by Irving Berlin. And it is the latter movie that inspires this theatre production by BOST Musicals at Liverpool‘s Empire Theatre.

          Given that the movie was released more than 60 years ago, and that the general feel of the show is nostalgic and old-fashioned (which isn’t a negative, by the way), it should be no surprise that the target audience for this stage adaptation is the older generation, many of whom will have seen the movie and would likely have fond memories of it.

          White Christmas

          Synopsis Of White Christmas

          After a Christmas Eve 1944 performance by Bob Wallace (Tony Prince) and Phil Davis (Chris Simmons) for their fellow US troops, including Major General Thomas F. Waverly (Frank Nance) who would be about to relinquish his position, we fast-forward several years. Bob and Phil have become big stars as a musical double act, although their off-stage personalities are very different. Phil sees himself as a ladies’ man, whereas Bob is the quieter and more reserved of the two.

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          Now, Phil looks to remedy this by not only having he and Bob see The Haynes Sisters, but with Phil having his eye on Judy Haynes (Linzi Stefanov) and trying to spark a romance between Bob and Betty Haynes (Gina Phillips), a planned visit to Miami becomes a joint-trip to Vermont with The Haynes Sisters, with the dual intention of promoting a live show and attempting to further a potential dual romance.

          Hotel

          The hotel that they visit, the Columbia Inn in Pine Hirst, is run by their former General, Thomas Waverly; however, an unexpected heatwave – at Christmas time, no less! – has made for an almost non-existent audience for the upcoming show, and Waverly’s fortunes are hardly helped by a rejection of his attempt to re-enter the army.

          From there, we have several inter-linking plot strands: the two romances (neither of which run smoothly, as is the norm in such shows), the build-up to the big Christmas Eve show, Bob’s plans for a surprise on-stage tribute to the General, and the muddled relationship between Waverly and his gossipy housekeeper, which not only includes the hiding of important letters relating to the inn’s finances but also has an inadvertent knock-on effect on Bob and Betty’s blossoming romance, as her misjudgement of Bob’s phone call about the honouring of Waverly threatens to spoil the love story altogether.

          Analysis Of White Christmas

          Now, Bing Crosby was the main star in the 1954 film. And Irving Berlin wrote the original version. So, much of the appeal of White Christmas comes from the songs. Surprisingly, the stage show features fairly brief versions of the song White Christmas at the very beginning and very end, but this and other songs are performed very well. The female cast members seem to possess a wider vocal range of musical talents amongst the rather large ensemble of characters (when you include the many dancers during the extended routines, anyway).

          But the lead duo – Bob and Phil – also do a good job of bringing back memories of the most famous songs from the film for the audience. Besides White Christmas, other memorable numbers are The Old Man, Count Your Blessings (Instead Of Sheep) and Sisters (the latter of which is performed later on by a “disguised” Bob and Phil (which, whilst mildly amusing, drew an unexpectedly huge period of laughter by one member of the audience; as long as they were enjoying it then that’s good, right?).

          Performances

          The singing performances and the associated dance routines (including a lengthy tap-dancing routine to close Act I) are the highlights of the show, as the acting performances are occasionally a little hit-and-miss with some slightly fluffed lines. There were some minor costume malfunctions and other slight production errors that appeared noticeable too, although not enough to spoil the show as a whole.

          I also thought that the show was very long, clocking in at nearly three hours including intermission, especially when you consider that the movie itself only lasted two hours. Certain scenes near the beginning could be shorter. Partly due to the old-style dialogue and situations, some scenes felt slightly out-of-place, just because at times there wasn’t an awful lot going on for the audience to keep its eye on (or ears open to).

          Humour

          Also, were some facial expressions, wigs and character appearances for comic effect? I’m not sure. Also, despite it being White Christmas, the show didn’t feel particularly Christmassy. Granted, part of the story was about the lack of snow, so I can overlook this. But it still didn’t necessarily leave one with the fuzzy festive feeling of Christmas being just around the corner. That’s unusual for a show that has “Christmas” in the title.

          However, there is a lot more to praise than to gripe about. Besides the points I made earlier, the story is well-told and easy to follow. There is one scene that features two child dancers. And they are both exceptional, especially since their routines are very complex. Speaking of the kids, Sofia Lawton, who plays the young Susan Waverly, is very good in a variety of situations.

          In addition, the costumes and settings, which frequently change, are of an excellent standard. This includes the hotel, the hotel in New York, and the family barn. Every backdrop feels different. And they, along with the glamorous and vintage attires, add a little something extra to each scene. The special effects towards the end are very realistic. So, it’s clear that a lot of work goes into making the production faithful to the original movie.

          Summary Of White Christmas

          Contrary to its title, this may not provide a particularly Christmassy vibe to those who are counting down the days. And the show is by no means flawless. However, as a feel-good nostalgic experience, White Christmas is enjoyable for all ages. Especially for the older generation who will remember singing along with Bing Crosby back in the day.

          Overall Rating: 7.5/10 – Good

          Check Out All Of Our Empire Theatre Reviews!

            Tags: Chris SimmonsEmpire TheatreEmpire Theatre Reviews 2016Frank NanceGina PhillipsLinzi StefanovLiverpool Theatre Show ReviewsLiverpool Theatre ShowsMusical ReviewsMusicalsReviewsTheatreTheatre ReviewsTheatre Reviews 2016Tony PrinceWhite Christmas
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